zines; in houses, palaces and churches.

Hans Eitelfritz stopped before a jeweller's shop, saying:

"Look here! I particularly admire these things, these toys: the little
dog, the sled, the lady with the hoopskirt, all these things are pure
silver. When the pillage begins, I shall grasp these and take them to my
sister's little children in Colln; they will be delighted, and if it
should ever be necessary, their mother can sell them."

What a throng crowded the most aristocratic streets! English, Spanish,
Italian and Hanseatic merchants tried to outdo the Netherland traders in
magnificent clothes and golden ornaments. Ulrich saw them all assembled
in the Gothic exchange on the Mere, the handsomest square in the city.
There they stood in the vast open hall, on the checkered marble floor,
not by hundreds, but by thousands, dealing in goods which came from all
quarters of the globe--from the most distant lands. Their offers and bids
mingled in a noise audible at a long distance, which was borne across the
square like the echo of ocean surges.

Sums were discussed, which even the winged imagination of the lansquenet
could scarcely grasp. This city was a remarkable treasure, a
thousand-fold richer booty than had been garnered from the Ottoman
treasure-ship on the sea at Lepanto.

Here was the fortune the Eletto needed, to build the palace in which he
intended to place Ruth. To whom else would fall the lion's share of the
enormous prize!

His future happiness was to arise from the destruction of this proud
city, stifling in its gold.

These were ambitious brilliant plans, but he devised them with gloomy
eyes, in a darkened mind. He intended to win by force what was denied
him, so long as the power belonged to him.

There could be no lack of flames and carnage; but that was part of his
trade, as shavings belong to flames, hammer-strokes to smiths.

Count Philipp had no suspicion of the assault, was not permitted to
suspect anything. He attributed Ulrich's agitated manner to the rejection
he had encountered in his father's house, and when he took leave of him
on his departure to Swabia, talked kindly with his former schoolmate and
advised him to leave the Spanish flag and try once more to be reconciled
to the old man.

Before the Eletto quitted the city, he gave Hans Eitelfritz, whose
regiment had secretly joined the mutiny, letters of safeguard for his
family and the artist, Moor.

He had not forgotten the latter,