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rs, even, failed to understand his trouble. And when he got out in the world he put it off, this matter of being cured of stammering. He Waited! He kept saying to himself that he would do it tomorrow--next week--next month. And tomorrow never came. Next week and next month ran into next year--and next year ran into a case that was hopeless and incurable. He Waited!! How tragic those two words. He Waited! And his waiting sounded the death-knell of a thousand boyhood hopes. HE WAITED!! And health slowly took wings and flew away. HE WAITED!! And the insidious little Devil-of-Fear piece by piece tore down his will-power, sapped his power-of-concentration. HE WAITED!! And that first simple nervous condition turned into something near akin to palsy. On the tombstone of that man when they lay him under his six-feet-of-earth, they might truly inscribe the words: "A Failure"--and should they wish to set down the reason, they might add: "He Waited!" To the stammerer's question: "When should I begin treatment for my stammering?" and "At what stage will I stand the best chance of being most quickly cured?" there is but one answer. The time for the stammerer or stutterer to begin treatment for his malady is the day he discovers his stammering or stuttering. The best chance for being quickly cured exists today. The stammerer, then, to paraphrase Emerson, should "Write it on his heart that TODAY is the very best day in the year." He should remember that indecision, delay, uncertainty, vacillation, lead to oblivion and that his only redemption lies in that golden opportunity known as--TODAY! End of the Project Gutenberg EBook of Stammering, Its Cause and Cure, by Benjamin Nathaniel Bogue *** END OF THIS PROJECT GUTENBERG EBOOK STAMMERING, ITS CAUSE AND CURE *** ***** This file should be named 4256.txt or 4256.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/4/2/5/4256/ Produced by Robert Rowe, Charles Franks and the Online Distributed Proofreading Team. HTML version by Al Haines. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set fo
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