dness characterized the
ceremony. Every one seemed to be present only for the purpose of
beholding a sight, and curiosity was the prevailing expression rather
than joy or gratitude. It is but right to say, however, that an
unfortunate event contributed to the general indifference. The right
wing of the Palace was not occupied, but great preparations had been
making there, and an officer had been directed to prevent anyone from
ascending. One of the clerks of the Directory, however, contrived to get
upon the scaffolding, but had scarcely placed his foot on the first plank
when it tilted up, and the imprudent man fell the whole height into the
court. This accident created a general stupor. Ladies fainted, and the
windows were nearly deserted.

However, the Directory displayed all the Republican splendour of which
they were so prodigal on similar occasions. Speeches were far from being
scarce. Talleyrand, who was then Minister for Foreign Affairs, on
introducing Bonaparte to the Directory, made a long oration, in the
course of which he hinted that the personal greatness of the General
ought not to excite uneasiness, even in a rising Republic. "Far from
apprehending anything from his ambition, I believe that we shall one day
be obliged to solicit him to tear himself from the pleasures of studious
retirement. All France will be free, but perhaps he never will; such is
his destiny."

Talleyrand was listened to with impatience, so anxious was every one to
hear Bonaparte. The conqueror of Italy then rose, and pronounced with a
modest air, but in a firm voice, a short address of congratulation on the
improved position of the nation.

Barras, at that time President of the Directory, replied to Bonaparte
with so much prolixity as to weary everyone; and as soon as he had
finished speaking he threw himself into the arms of the General, who was
not much pleased with such affected displays, and gave him what was then
called the fraternal embrace. The other members of the Directory,
following the example of the President, surrounded Bonaparte and pressed
him in their arms; each acted, to the best of his ability, his part in
the sentimental comedy.

Chenier composed for this occasion a hymn, which Mehul set to music. A
few days after an opera was produced, bearing the title of the 'Fall of
Carthage', which was meant as an allusion to the anticipated exploits of
the conqueror of Italy, recently appointed to the command of the "Army o