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impudently into the window of another; a woodpecker, with the general flavor of undertaking which distinguishes that bird, withheld his sepulchral hammer from the coffin-lid of the roof on which he was professionally engaged, as we passed. For a moment I half regretted that I had not accepted the invitation to the river-bed; but, the next moment, a breeze swept up the long, dark canyon, and the waiting files of the pines beyond bent toward me in salutation. I think my horse understood, as well as myself, that it was the cabins that made the solitude human, and therefore unbearable; for he quickened his pace, and with a gentle trot brought me to the edge of the wood, and the three pines that stood like vedettes before the Sylvester outpost. Unsaddling my horse in the little hollow, I unslung the long riata from the saddle-bow, and, tethering him to a young sapling, turned toward the cabin. But I had gone only a few steps, when I heard a quick trot behind me; and poor Pomposo, with every fibre tingling with fear, was at my heels. I looked hurriedly around. The breeze had died away; and only an occasional breath from the deep-chested woods, more like a long sigh than any articulate sound, or the dry singing of a cicala in the heated canyon, were to be heard. I examined the ground carefully for rattlesnakes, but in vain. Yet here was Pomposo shivering from his arched neck to his sensitive haunches, his very flanks pulsating with terror. I soothed him as well as I could, and then walked to the edge of the wood, and peered into its dark recesses. The bright flash of a bird's wing, or the quick dart of a squirrel, was all I saw. I confess it was with something of superstitious expectation that I again turned towards the cabin. A fairy-child, attended by Titania and her train, lying in an expensive cradle, would not have surprised me: a Sleeping Beauty, whose awakening would have repeopled these solitudes with life and energy, I am afraid I began to confidently look for, and would have kissed without hesitation. But I found none of these. Here was the evidence of my friend's taste and refinement, in the hearth swept scrupulously clean, in the picturesque arrangement of the fur-skins that covered the floor and furniture, and the striped serape lying on the wooden couch. Here were the walls fancifully papered with illustrations from "The London News;" here was the woodcut portrait of Mr. Emerson over the chimney, quaintly fr
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