s too easily. We will relate the leading
circumstances of the case, as they were told us with perfect simplicity
and frankness by the subject of an affection which, if classified, would
come under the general head of Antipathy, but to which, if we give it a
name, we shall have to apply the term Gynophobia, or Fear of Woman."
Here follows the account furnished to the writer of the paper, which is
in all essentials identical with that already laid before the reader.
"Such is the case offered to our consideration. Assuming its
truthfulness in all its particulars, it remains to see in the first
place whether or not it is as entirely exceptional and anomalous as it
seems at first sight, or whether it is only the last term of a series
of cases which in their less formidable aspect are well known to us
in literature, in the records of science, and even in our common
experience.
"To most of those among us the explanations we are now about to give are
entirely superfluous. But there are some whose chief studies have been
in different directions, and who will not complain if certain facts are
mentioned which to the expert will seem rudimentary, and which hardly
require recapitulation to those who are familiarly acquainted with the
common text-books.
"The heart is the centre of every living movement in the higher animals,
and in man, furnishing in varying amount, or withholding to a greater
or less extent, the needful supplies to all parts of the system. If its
action is diminished to a certain degree, faintness is the immediate
consequence; if it is arrested, loss of consciousness; if its action
is not soon restored, death, of which fainting plants the white flag,
remains in possession of the system.
"How closely the heart is under the influence of the emotions we need
not go to science to learn, for all human experience and all literature
are overflowing with evidence that shows the extent of this relation.
Scripture is full of it; the heart in Hebrew poetry represents the
entire life, we might almost say. Not less forcible is the language of
Shakespeare, as for instance, in 'Measure for Measure:'
"'Why does my blood thus muster to my heart,
Making it both unable for itself
And dispossessing all my other parts
Of necessary fitness?'
"More especially is the heart associated in every literature with the
passion of love. A famous old story is that of Galen, who was called to
the case of a young lady long
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