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nd in a brass cage a blue and crimson macaw blinking at the somber Thames. Finally there was the studio to which he was eagerly escorted by Stella. "I haven't done anything but just have it whitewashed," she said. "I wanted you to choose the scheme, as I'm going to make all the noise." The windy March sunlight seemed to fill the great room when Michael and his sister entered it. "But it's absolutely empty," he exclaimed, and indeed there was nothing in all that space except Stella's piano, looking now almost as small and graceful as in Carlington Road it had seemed ponderous. "You shall decorate the room," she said. "What will you choose?" Michael visualized rapidly for a moment, first a baronial hall with gothic chairs and skins and wrought-iron everywhere, with tapestries and blazonries and heavy gold embroideries. Then he thought of crude and amazing contrasts of barbarous reds and vivid greens and purples, with Persian rugs and a smell of joss-sticks and long low divans. Yet, even as Michael's fancy decked itself with kaleidoscopic intentions, his mind swiftly returned to the keyboard's alternations of white and black, so that in a moment exotic splendors were merged in esoteric significance. "I don't think we want anything," he finally proclaimed. "Just two or three tall chairs and a mask of somebody--Beethoven perhaps--and black silk curtains. You see the piano wouldn't go with elaborate decorations." So every opportunity of prodigal display was neglected, and the studio remained empty. To Michael, all that windy Eastertide, it was an infallible thrill to leave behind him the sedate Georgian house and, crossing the little walled rectangle of pallid grass, to pause and listen to the muffled sound of Stella's notes. Never had any entrance seemed to him so perfect a revelation of joy within as now when he was able to fling wide open the door of the studio and feel, while the power and glory of the sonata assailed him, that this great white room was larger even than the earth itself. Sitting upon a high-backed chair, Michael would watch the white walls melting like clouds in the sun, would see their surface turn to liquid light, and fancy in these clear melodies of Stella that he and she and the piano and the high-backed chair were in this room not more trammeled than by space itself. Alan sometimes came shyly to listen, and while Stella played and played, Michael would wonder if ever these two would mak
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