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Herbert when our steamer stopped at Port Said. He had been in Abyssinia--you know that?" "I knew that." "I talked with him for an hour," said Ella. "He told me a great deal about you--about your parting from him. You will write those words to him before I leave this room." Phyllis shook her head. "Oh, yes, you will, when I tell you what I did not tell him--when I tell you that George Holland and I have agreed that our positions as joint trustees of the New Church will be immeasurably strengthened if we are married." "What?" Phyllis had risen. "We are to be married in three months. The matter is, of course, to remain a secret--people are so given to talk." Phyllis fell into her arms and kissed her tearfully--but the tears were not all her own. "Now you will write those words," said Ella. Phyllis ran to a little French escritoire and snatched up a sheet of paper. "Come to me, my beloved," she wrote upon it; then she leaned her face upon her arm, weeping happily. Ella came behind her. She picked up the paper and folded it up. She pressed the bell. "Please give that to Mr. Courtland in the study," she said to the servant. Phyllis sprang up with a cry. "I forgot to tell you, my dearest, that I brought back Herbert Courtland in that steamer with me, and that he came with me to-day. He is coming to you--listen--three steps at a time." And that was just how he did come to her. "Bless my soul!" cried Mr. Ayrton, ten minutes later. "Bless my soul! I always fancied that----Ah, after all, what is marriage?" "Oh!" cried Phyllis. "The last word that can be said regarding it is that marriage is the picturesque gateway leading to the commonplace estate." "Oh!" cried Phyllis End of Project Gutenberg's Phyllis of Philistia, by Frank Frankfort Moore *** END OF THIS PROJECT GUTENBERG EBOOK PHYLLIS OF PHILISTIA *** ***** This file should be named 2155.txt or 2155.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/1/5/2155/ Produced by Dagny; John Bickers and David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special
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