FREE BOOKS

Author's List




PREV.   NEXT  
|<   6   7   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30  
31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   >>  
ll for nothing! And how she seems possessed with her Tartuffe! DORINE Her case is nothing, though, beside her son's! To see him, you would say he's ten times worse! His conduct in our late unpleasantness [1] Had won him much esteem, and proved his courage In service of his king; but now he's like A man besotted, since he's been so taken With this Tartuffe. He calls him brother, loves him A hundred times as much as mother, son, Daughter, and wife. He tells him all his secrets And lets him guide his acts, and rule his conscience. He fondles and embraces him; a sweetheart Could not, I think, be loved more tenderly; At table he must have the seat of honour, While with delight our master sees him eat As much as six men could; we must give up The choicest tidbits to him; if he belches, ('tis a servant speaking) [2] Master exclaims: "God bless you!"--Oh, he dotes Upon him! he's his universe, his hero; He's lost in constant admiration, quotes him On all occasions, takes his trifling acts For wonders, and his words for oracles. The fellow knows his dupe, and makes the most on't, He fools him with a hundred masks of virtue, Gets money from him all the time by canting, And takes upon himself to carp at us. Even his silly coxcomb of a lackey Makes it his business to instruct us too; He comes with rolling eyes to preach at us, And throws away our ribbons, rouge, and patches. The wretch, the other day, tore up a kerchief That he had found, pressed in the _Golden Legend_, Calling it a horrid crime for us to mingle The devil's finery with holy things. [Footnote 1: Referring to the rebellion called La Fronde, during the minority of Louis XIV.] [Footnote 2: Moliere's note, inserted in the text of all the old editions. It is a curious illustration of the desire for uniformity and dignity of style in dramatic verse of the seventeenth century, that Moliere feels called on to apologize for a touch of realism like this. Indeed, these lines were even omitted when the play was given.] SCENE III ELMIRE, MARIANE, DAMIS, CLEANTE, DORINE ELMIRE (to Cleante) You're very lucky to have missed the speech She gave us at the door. I see my husband Is home again. He hasn't seen me yet, So I'll go up and wait till he comes in. CLEANTE And I, to save time, will await him here; I'll merely say good-morning, and be gone
PREV.   NEXT  
|<   6   7   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30  
31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   >>  



Top keywords:

CLEANTE

 

Moliere

 

called

 
hundred
 

Footnote

 
ELMIRE
 

Tartuffe

 

DORINE

 

Fronde

 
rebellion

instruct

 

Referring

 

inserted

 

editions

 

lackey

 

business

 

minority

 
finery
 
kerchief
 
patches

wretch

 

pressed

 
Golden
 

mingle

 

ribbons

 

horrid

 

rolling

 
Legend
 

throws

 

preach


Calling

 

things

 

husband

 

missed

 

speech

 

morning

 

Cleante

 
century
 

seventeenth

 
apologize

realism

 

dramatic

 

desire

 

illustration

 

uniformity

 

dignity

 

coxcomb

 

Indeed

 

MARIANE

 

omitted