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sat, expounding the Bible according to his own vision. The thickets of sweet clover and red-tipped grasses, of waving ferns and young alder bushes hide all of ugliness that belongs to the deserted spot and serve as a miniature forest in whose shade the younglings foreshadow the future at their play of home-building and housekeeping. In a far corner, altogether concealed from the passer-by, there is a secret treasure, a wonderful rosebush, its green leaves shining with health and vigor. When the July sun is turning the hay-fields yellow, the children part the bushes in the leafy corner and little Waitstill Boynton steps cautiously in, to gather one splendid rose, "for father and mother." Jacob Cochrane's heart, with all its faults and frailties has long been at peace. On a chill, dreary night in November, all that was mortal of him was raised from its unhonored resting-place not far from the ruins of his old abode, and borne by three of his disciples far away to another state. The gravestones were replaced, face downward, deep, deep in the earth, and the sod laid back upon them, so that no man thence forward could mark the place of the prophet's transient burial amid the scenes of his first and only triumphant ministry. "It is a sad story, Jacob Cochrane's," Waitstill said to her husband when she first discovered that her children had chosen the deserted spot for their play; "and yet, Ivory, the red rose blooms and blooms in the ruins of the man's house, and perhaps, somewhere in the world, he has left a message that matches the rose." End of the Project Gutenberg EBook of The Story Of Waitstill Baxter, by By Kate Douglas Wiggin *** END OF THIS PROJECT GUTENBERG EBOOK THE STORY OF WAITSTILL BAXTER *** ***** This file should be named 1701.txt or 1701.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/7/0/1701/ Produced by An Anonymous Volunteer Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the P
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