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oors. In my country, he was known by a name which means the 'trap-door lover.'" "But why do these walls obey him alone? He did not build them!" "Yes, sir, that is just what he did!" Raoul looked at him in amazement; but the Persian made a sign to him to be silent and pointed to the glass ... There was a sort of shivering reflection. Their image was troubled as in a rippling sheet of water and then all became stationary again. "You see, sir, that it is not turning! Let us take another road!" "To-night, there is no other!" declared the Persian, in a singularly mournful voice. "And now, look out! And be ready to fire." He himself raised his pistol opposite the glass. Raoul imitated his movement. With his free arm, the Persian drew the young man to his chest and, suddenly, the mirror turned, in a blinding daze of cross-lights: it turned like one of those revolving doors which have lately been fixed to the entrances of most restaurants, it turned, carrying Raoul and the Persian with it and suddenly hurling them from the full light into the deepest darkness. Chapter XX In the Cellars of the Opera "Your hand high, ready to fire!" repeated Raoul's companion quickly. The wall, behind them, having completed the circle which it described upon itself, closed again; and the two men stood motionless for a moment, holding their breath. At last, the Persian decided to make a movement; and Raoul heard him slip on his knees and feel for something in the dark with his groping hands. Suddenly, the darkness was made visible by a small dark lantern and Raoul instinctively stepped backward as though to escape the scrutiny of a secret enemy. But he soon perceived that the light belonged to the Persian, whose movements he was closely observing. The little red disk was turned in every direction and Raoul saw that the floor, the walls and the ceiling were all formed of planking. It must have been the ordinary road taken by Erik to reach Christine's dressing-room and impose upon her innocence. And Raoul, remembering the Persian's remark, thought that it had been mysteriously constructed by the ghost himself. Later, he learned that Erik had found, all prepared for him, a secret passage, long known to himself alone and contrived at the time of the Paris Commune to allow the jailers to convey their prisoners straight to the dungeons that had been constructed for them in the cellars; for the Federates had occ
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