oors. In my country, he was known by a name which means the
'trap-door lover.'"
"But why do these walls obey him alone? He did not build them!"
"Yes, sir, that is just what he did!"
Raoul looked at him in amazement; but the Persian made a sign to him to
be silent and pointed to the glass ... There was a sort of shivering
reflection. Their image was troubled as in a rippling sheet of water
and then all became stationary again.
"You see, sir, that it is not turning! Let us take another road!"
"To-night, there is no other!" declared the Persian, in a singularly
mournful voice. "And now, look out! And be ready to fire."
He himself raised his pistol opposite the glass. Raoul imitated his
movement. With his free arm, the Persian drew the young man to his
chest and, suddenly, the mirror turned, in a blinding daze of
cross-lights: it turned like one of those revolving doors which have
lately been fixed to the entrances of most restaurants, it turned,
carrying Raoul and the Persian with it and suddenly hurling them from
the full light into the deepest darkness.
Chapter XX In the Cellars of the Opera
"Your hand high, ready to fire!" repeated Raoul's companion quickly.
The wall, behind them, having completed the circle which it described
upon itself, closed again; and the two men stood motionless for a
moment, holding their breath.
At last, the Persian decided to make a movement; and Raoul heard him
slip on his knees and feel for something in the dark with his groping
hands. Suddenly, the darkness was made visible by a small dark lantern
and Raoul instinctively stepped backward as though to escape the
scrutiny of a secret enemy. But he soon perceived that the light
belonged to the Persian, whose movements he was closely observing. The
little red disk was turned in every direction and Raoul saw that the
floor, the walls and the ceiling were all formed of planking. It must
have been the ordinary road taken by Erik to reach Christine's
dressing-room and impose upon her innocence. And Raoul, remembering
the Persian's remark, thought that it had been mysteriously constructed
by the ghost himself. Later, he learned that Erik had found, all
prepared for him, a secret passage, long known to himself alone and
contrived at the time of the Paris Commune to allow the jailers to
convey their prisoners straight to the dungeons that had been
constructed for them in the cellars; for the Federates had occ
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