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huge piles supporting the threatening, crumbling, big-bellied cliffs whose layers were represented by the circular, parallel, waving lines of the balconies of the grand, first and second tiers of boxes. At the top, right on top of the cliff, lost in M. Lenepveu's copper ceiling, figures grinned and grimaced, laughed and jeered at MM. Richard and Moncharmin's distress. And yet these figures were usually very serious. Their names were Isis, Amphitrite, Hebe, Pandora, Psyche, Thetis, Pomona, Daphne, Clytie, Galatea and Arethusa. Yes, Arethusa herself and Pandora, whom we all know by her box, looked down upon the two new managers of the Opera, who ended by clutching at some piece of wreckage and from there stared silently at Box Five on the grand tier. I have said that they were distressed. At least, I presume so. M. Moncharmin, in any case, admits that he was impressed. To quote his own words, in his Memoirs: "This moonshine about the Opera ghost in which, since we first took over the duties of MM. Poligny and Debienne, we had been so nicely steeped"--Moncharmin's style is not always irreproachable--"had no doubt ended by blinding my imaginative and also my visual faculties. It may be that the exceptional surroundings in which we found ourselves, in the midst of an incredible silence, impressed us to an unusual extent. It may be that we were the sport of a kind of hallucination brought about by the semi-darkness of the theater and the partial gloom that filled Box Five. At any rate, I saw and Richard also saw a shape in the box. Richard said nothing, nor I either. But we spontaneously seized each other's hand. We stood like that for some minutes, without moving, with our eyes fixed on the same point; but the figure had disappeared. Then we went out and, in the lobby, communicated our impressions to each other and talked about 'the shape.' The misfortune was that my shape was not in the least like Richard's. I had seen a thing like a death's head resting on the ledge of the box, whereas Richard saw the shape of an old woman who looked like Mme. Giry. We soon discovered that we had really been the victims of an illusion, whereupon, without further delay and laughing like madmen, we ran to Box Five on the grand tier, went inside and found no shape of any kind." Box Five is just like all the other grand tier boxes. There is nothing to distinguish it from any of the others. M. Moncharmin and M. Richard,
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