of the Tadmor, and when the last switch-lamp had
shot backward into the night, went to his berth to wrestle with his
happiness until tardy sleep came, bringing in its train a beatific
vision in which the song of the drumming wheels became the overture to a
wedding march, and the mellow blasts of the whistle rang a merry peal of
joy-bells.

THE IVORY SERIES

AMOS JUDD. By J. A. Mitchell, Editor of "Life"
IA. A Love Story. By Q. [Arthur T. Quiller-Couch]
THE SUICIDE CLUB. By Robert Louis Stevenson
IRRALIE'S BUSHRANGER. By E. W. Hornung
A MASTER SPIRIT. By Harriet Prescott Spofford
MADAME DELPHINE. By George W. Cable
ONE OF THE VISCONTI. By Eva Wilder Brodhead
A BOOK OF MARTYRS. By Cornelia Atwood Pratt
A BRIDE FROM THE BUSH. By E. W. Hornung
THE MAN WHO WINS. By Robert Herrick
AN INHERITANCE. By Harriet Prescott Spofford
THE OLD GENTLEMAN OF THE BLACK STOCK. By Thomas Nelson Page
LITERARY LOVE LETTERS AND OTHER STORIES. By Robert Herrick
A ROMANCE IN TRANSIT. By Francis Lynde
IN OLD NARRAGANSETT. By Alice Morse Earle
SEVEN MONTHS A PRISONER. By J. V. Hadley
"IF I WERE A MAN." By Harrison Robertson
SWEETHEARTS AND WIVES. By Anna A. Rogers
A CIVILIAN ATTACHE. By Helen Dawes Brown

***END OF THE PROJECT GUTENBERG EBOOK A ROMANCE IN TRANSIT***

******* This file should be named 33399.txt or 33399.zip *******

This and all associated files of various formats will be found in:
http://www.gutenberg.org/dirs/3/3/3/9/33399

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified