ng Dietrich's work, and
some of your other paintings, I shall take my leave of you with the
greatest gratitude."
"I am glad," answered the prince, "that you take an interest in the
art; I have indeed only a few things here, but one picture, which I was
fortunate enough some days ago to make mine, is alone equivalent to an
ordinary collection."
They stept into a richly-furnished cabinet, where, on the walls and
some easels, were seen pictures ancient and modern. "Here is the young
man's attempt," said the prince, "which certainly promises something,
and though I cannot at all relish the subject, still the management of
it deserves praise. The colouring is good, though rather harsh, the
drawing is firm, and the expression pathetic. Only I wish people would
have done painting Virgins with the Child." The prince drew aside a
curtain, placed Edward in the right light, and exclaimed: "But look
here at this finished, magnificent work of my favorite, Julio Romano,
and give way to admiration and rapture." Edward in fact could not help
saluting this large picture with a loud ejaculation, and with an
expression of extreme pleasure and even laughter in his face; for it
was the well-known counterfeit of his old friend, on which he had been
at work for a year past. It was Psyche and Cupid sleeping. The prince
took his place by his side, and cried: "To have made this acquisition
alone repays me for my journey hither. And on this jewel I lighted at
the house of that obscure old man!--a man who himself plays no
inconsiderable part as an artist, but yet is not so well known by a
great deal as he ought to be. He had been long in possession of the
picture, and knew that it was Julio's; still, as he had not seen every
thing of his, he had always some doubts remaining, and he was delighted
to learn from me so many details respecting this master and his works.
For in fact he has a sense of beauty, the old man, and knows well how
to appreciate such a gem; but he had not penetrated into all the
excellences of the painter. I should have been ashamed to take
advantage of his ignorance, for he asked for this glorious work, which
he came by in a singular way, too moderate a price; this I raised, in
order to have paid for the ornament of my gallery at a rate worthy of
it."
"He is fortunate," said Edward, "this neglected old man, to have made
such a connoisseur and so generous a protector his friend; it is
perhaps in his power to enrich your H
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