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e frolic. So much are we in sympathy with those merry ones that we too find ourselves unconsciously urging her to join in the dance. When he painted trees, Corot did not pay very great attention to details, and so we cannot always tell what kind of trees they were. He cared most to make us feel the beauty of the sunlight on their tender leaves, their growth, and the protection they offer to birds and men. A young art student once approached Corot and asked him why he left so many things out of his pictures and put others in. Then pointing to a certain tree in Corot's painting he said, "This tree is not in the landscape." Corot smiled, then whispered to him, "Don't you tell, but I put it there to please the birds." It would be difficult indeed to find a single straight line in our picture, so full is it of rhythmic curves, from the treetops to the graceful figures in the foreground. The skillful blending of colors, of light and shade, gives it that mysterious, misty quality which is one of its chief charms. Corot's favorite colors were pale green, gray browns, and silvery grays. One little touch of bright color in his pictures makes them alive. The costumes of the nymphs were chosen for the very few bright touches in this painting, and the tall, slender tree near the left-hand side of the picture for the pale green feathery foliage of early spring. Our eye moves pleasantly through all the leafy maze of this enchanted forest. We are at the edge of the woods. Looking out through the trees we see the wide, open fields beyond, with their high canopy of sky, and we feel a new contentment steal over us as our eye again seeks this sheltered nook in the great Forest of Fontainebleau. =Questions to help the pupil understand the picture.= How had the artist, Corot, studied the clouds, sky, and trees? With whom did he become friends? What were these three young artists doing? Where did they go for an outing? What did they take with them? What forest did they decide would be a good place to spend a vacation? How did they live in this forest? What shelter did they have? What nickname did they give Corot? How did he like to paint? How did he dress? What did he do while painting? Where was this picture painted? What is it sometimes called? What time of day did he usually start out to paint? What are the nymphs doing? What did Corot wish to tell us about the trees? What did a young art student once ask Corot? What was the an
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