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here--in this place and in that. And I have taken our child with--to this place and to that. And I have lost the child--utterly lost it. The devil knows into what hands it may have fallen--who may have had their clutches on it." HEDDA. Well--but when all is said and done, you know--this was only a book-- LOVBORG. Thea's pure soul was in that book. HEDDA. Yes, so I understand. LOVBORG. And you can understand, too, that for her and me together no future is possible. HEDDA. What path do you mean to take then? LOVBORG. None. I will only try to make an end of it all--the sooner the better. HEDDA. [A step nearer him.] Eilert Lovborg--listen to me.--Will you not try to--to do it beautifully? LOVBORG. Beautifully? [Smiling.] With vine-leaves in my hair, as you used to dream in the old days--? HEDDA. No, no. I have lost my faith in the vine-leaves. But beautifully nevertheless! For once in a way!--Good-bye! You must go now--and do not come here any more. LOVBORG. Good-bye, Mrs. Tesman. And give George Tesman my love. [He is on the point of going. HEDDA. No, wait! I must give you a memento to take with you. [She goes to the writing-table and opens the drawer and the pistol-case; then returns to LOVBORG with one of the pistols. LOVBORG. [Looks at her.] This? Is this the memento? HEDDA. [Nodding slowly.] Do you recognise it? It was aimed at you once. LOVBORG. You should have used it then. HEDDA. Take it--and do you use it now. LOVBORG. [Puts the pistol in his breast pocket.] Thanks! HEDDA. And beautifully, Eilert Lovborg. Promise me that! LOVBORG. Good-bye, Hedda Gabler. [He goes out by the hall door. [HEDDA listens for a moment at the door. Then she goes up to the writing-table, takes out the packet of manuscript, peeps under the cover, draws a few of the sheets half out, and looks at them. Next she goes over and seats herself in the arm-chair beside the stove, with the packet in her lap. Presently she opens the stove door, and then the packet. HEDDA. [Throws one of the quires into the fire and whispers to herself.] Now I am burning your child, Thea!--Burning it, curly-locks! [Throwing one or two more quires into the stove.] Your child and Eilert Lovborg's. [Throws the rest in.] I am burning--I am burning your child. ACT FOURTH
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