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one of my brothers, an excellent judge, offered me a fiver for the lot, and said that he expected to lose money by it. * * * * * Immediately after the wedding ceremony the blow fell. I had foreseen the danger of disaster from the very first, and that disaster came. I can hardly bring myself to write of it. I have spoken of my husband as Hector, but his surname was Harris--his mother was one of the Tweeds. Consequently, I had become Mrs. Harris. The tendency of a Mrs. Harris to become mythical was first noticed by an English writer of some repute in the nineteenth century. I forget his precise name, but believe that it was Thackeray. It was in the vestry that I seemed to hear the voice of an elderly and gin-bemused female telling me that there was no sich person. I did not cease to exist, but I became aware that I never had, and never could have, existed. I was merely mythical. Gently whispering "The Snark was a Boojum," I faded away. The last sound I heard was the voice of Hector calling to me: "Hullo, hullo! Are you there? Harris speaking.... Hullo, hullo.... Are you there?" And, as not infrequently happens, there was no answer. H. G. WELLS' Best Novels TONO BUNGAY (11th Edition) THE NEW MACHIAVELLI (10th Edition) MARRIAGE (12th Edition) MR. POLLY (9th Edition) THE ISLAND OF DR. MOREAU (10th Edition) DUFFIELD AND COMPANY TRANSCRIBER'S NOTE: Minor changes have been made to correct typesetters' errors; otherwise, every effort has been made to be true to the author's words and intent. End of the Project Gutenberg EBook of Marge Askinforit, by Barry Pain *** END OF THIS PROJECT GUTENBERG EBOOK MARGE ASKINFORIT *** ***** This file should be named 26024.txt or 26024.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/6/0/2/26024/ Produced by D Alexander and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copy
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