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Repps Joddrell, and to the careful art of Mr. Robert Graves, A.R.A., I owe the illustration at the opening of this volume, in which the head is for the first time worthily expressed. In some sort to help also the reader's fancy to a complete impression, Maclise having caught as happily the figure as the face, a skillful outline of the painting has been executed for the present page by Mr. Jeens. "As a likeness," said Mr. Thackeray of the work, and no higher praise could be given to it, "it is perfectly amazing. A looking-glass could not render a better fac-simile. We have here the real identical man Dickens, the inward as well as the outward of him." CHAPTER X. DURING AND AFTER NICKLEBY. 1838-1839. The Cottage at Twickenham--Daniel Maclise--Ainsworth and other Friends--Mr. Stanley of Alderley--Petersham Cottage--Childish Enjoyments--Writes a Farce for Covent Garden--Entered at the Middle Temple--We see Wainewright in Newgate--_Oliver Twist_ and the _Quarterly_--Hood's _Up the Rhine_--Shakspeare Society--Birth of Second Daughter--House-Hunting--_Barnaby_ at his Tenth Page--Letter from Exeter--A Landlady and her Friends--A Home for his Father and Mother--Autobiographical--Visit to an Upholsterer--Visit from the Same. THE name of his old gallery-companion may carry me back from the days to which the close of _Nickleby_ had led me to those when it was only beginning. "This snow will take away the cold weather," he had written, in that birthday letter of 1838 already quoted, "and then for Twickenham." Here a cottage was taken, nearly all the summer was passed, and a familiar face there was Mr. Beard's. There, with Talfourd and with Thackeray and Jerrold, we had many friendly days, too; and the social charm of Maclise was seldom wanting. Nor was there anything that exercised a greater fascination over Dickens than the grand enjoyment of idleness, the ready self-abandonment to the luxury of laziness, which we both so laughed at in Maclise, under whose easy swing of indifference, always the most amusing at the most aggravating events and times, we knew that there was artist-work as eager, energy as unwearying, and observation almost as penetrating as Dickens's own. A greater enjoyment than the fellowship of Maclise at this period it would indeed be difficult to imagine. Dickens hardly saw more than he di
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