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ne picture of Music, Love, and Laughter, and her own young face. 'O God! O God! have I not atoned by pain?' she moaned. A soft evening breeze came stealing round her. Nature could give no answer to her fearful questioning, but the gentle Spring wind kissed her on lips and brow. She rose and took her way to the terrace. Here, too, was ruinous neglect--grass-grown paths, moss-covered sculptures, untended plants. She looked up at the windows of the rooms which had been Eberhard Ludwig's; they were closed and shuttered.--Dead, everything was dead! She hurried on towards La Favorite, her Chateau Joyeux. Here again was ruin, and here also her own face met her sculptured everywhere--smiling, young, and indifferent to the ruin. The flowering parterre was untended, but the lilacs and the redthorn-trees made the garden fair. The long Spring twilight faded, night drew near--and the Graevenitz turned away. 'Farewell,' she said aloud, 'the night comes! Farewell, Spring!' * * * * * That night Maria could not induce her beloved mistress to taste food. 'I am so weary, Maria, let me rest. I think God will give me sleep,' she said, and the faithful peasant woman left her. In the morning Maria found her resting still. God had given her the Great Sleep. Printed by T. and A. CONSTABLE, Printers to His Majesty at the Edinburgh University Press * * * * * Transcriber's Notes: Obvious punctuation errors repaired. Page 35, "tuggted" changed to "tugged" Page 35, "he" changed to "her" Page 133, "Frauelein" changed to "Fraeulein" Page 257, "an" changed to "and" End of the Project Gutenberg EBook of A German Pompadour, by Marie Hay *** END OF THIS PROJECT GUTENBERG EBOOK A GERMAN POMPADOUR *** ***** This file should be named 25758.txt or 25758.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/5/7/5/25758/ Produced by Suzanne Lybarger, Brian Janes, the Online Distributed Proofreading Team at http://www.pgdp.net and the Booksmiths at http://www.eBookForge.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyri
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