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th the letter which the Duke had refused to communicate to her. She replaced her mask and returned to the ballroom. Still the same monotonous whirling crowd, the pattering feet of the dancers, the din of the music. She searched for Serenissimus. He was standing with a group of masks at the lower end of the hall, and did not observe her. She made her way slowly through the crowd to the other side of the room, and slipped through the door into the ante-hall. Immediately two lackeys sprang forward to inquire her Excellency's pleasure. She waved them away and passed onward, out to the terrace, and towards her pavilion. The sentry at her door saluted her, but she gained her own ante-hall without meeting any of her waiting men, even Maria was gaping in the crowd in the courtyard probably. Wilhelmine paused a moment in her antechamber on the first floor. She listened attentively, and called Maria under her breath, but no answer came. Then she drew out the little key, approached the door leading to the statue gallery and opened it gently. The gallery was in darkness, save where a faint white radiance was reflected from the moonlit garden without, but that side of the palace lay in deep shadow. She crept on and groped for the lock beneath the plaster Amorino's hand. At first she could not find it, but after some moments she felt the tiny keyhole, and, fitting the key, she turned it and the door swung open. She glided in behind the arras, and found the spring which opened the partition. She listened; there was no sound from the room within. She pressed the spring, the tapestry door opened silently beneath her touch, and she passed into the Duke's writing-closet. Here the moon shone full in, white and ghostly. Wilhelmine's mind flew back to that far-off night at Guestrow, when in the moonlight she had stolen the key from under her mother's pillow. How she had trembled! She had been a child in experience then, a very different being from the strong, self-confident woman she knew herself to be nowadays. And yet she trembled in the moonlit room as she had trembled then. What was that? The moonlight falling in sheeny silver through the window, seemed to her to take the shape of a tall, white woman's figure. She remembered the grim old legend of that Countess of Orlamuende, murderess of little children, who haunted all the palaces of her descendants. In the castle at Stuttgart, they said, the White Lady walked, her pale trailing gar
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