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ap, its pretensions were immense. A tall, six-sided tower occupied two-thirds of the front, an elaborate affair, crowned by rusty ironwork in lieu of battlements. Windows were inserted at appropriate intervals, suggesting a donjon keep or a page from Walter Scott. The heavy brown shutters were never opened. There was a grim angularity to the deep porch below, a military cut to the bare front door which added to the forbidding character of the place. Behind this imposing front the rest of the building lay like the parts of a castle, each portion a little lower than the preceding. There were four of these sections, like four platforms, their flat roofs crowned with further rusty ironwork. The windows were infrequent and all barred, and a massive elm to the east of the house threw over them a gloomy and impenetrable shade. Although the whole building had been painted brown, time and the weather had combined to make it almost black, the only patch of color being the rich green of the mossy shingles on the roof of the porch. I had first noticed the Drainger house because of its oddity. Then I was impressed by its air of speechless and implacable resentment. So far as I could observe it was empty; no foot disturbed the rank grass or troubled the dismal porches. The windows were never thrown open to the sunlight. The front door, in the month I had spent in Crosby, remained locked. I had once observed a grocery wagon standing in front of the house, but this, I assumed, was because the driver wished to leave his horse in the shade. Proceeding homeward one night to my cousin's, Mark Jedfrey, with whom I was spending the summer, I was startled, when I came in front of the Drainger place, to see a light in the front window of the tower on the ground floor. It was moonlight, and the heavy shadows sculptured the old mansion into fantastic shapes, revealing a barred window inscrutably facing the moon, carving the top of the house into gargoyles of light and throwing the porch into Egyptian darkness. The light through the shutter of the window was therefore as unexpected as a stab. I paused without knowing it. Apparently I was observed; there was a light sound of footsteps from the invisible porch and the creaking, followed by the shutting, of the front door. Immediately afterwards the light was extinguished. The person who had been on the porch had moved so quickly and so quietly, and the street, drenched in the July moonlight,
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