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re, he encountered the fierce "Dog of Peace" and its master, Jerry Grant, the outlaw--"a fairy man, in league with fairies and spirits, and able to work much harm by supernatural means, on which account the peasants held him in great awe." The account of Sergeant Bagge's encounter with this wizardly creature is in Borrow's best style. The sergeant thought he had the fellow fast by the throat, but suddenly "the man seemed to melt away from his grasp, and the wind howled more and more, and the night poured down darker and darker, the snow and the sleet thicker and more blinding. 'Lord have mercy upon us!' said Bagge, who concluded that the tussle was 'not fair but something Irish and supernatural.'" "I daresay," comments George to his brother, "he's right. I have read of witchcraft in the Bible." At Templemore, too, our boy of thirteen learned to ride, mounted on a tremendous "gallant specimen of the genuine Irish cob," said by Borrow to be nearly extinct in his day. This horse had been the only friend in the world of his groom, but after a blow would not let him mount. So young Borrow mounted the animal barebacked, for, said the groom, "If you are ever to be a frank rider, you must begin without a saddle; . . . leave it all to him." Following the groom's directions, the cob gave his young rider every assistance, and great was the lad's joy! "Oh, that ride! that first ride!--most truly it was an epoch in my existence; and I still look back to it with feelings of longing and regret. People may talk of first love--it is a very agreeable event, I daresay--but give me the flush and triumph, and glorious sweat of a first ride, like mine on the mighty cob! . . . By that one trial I had become free . . . of the whole equine species." Thus began Borrow's passion for the equine race, and he avows that with him the pursuit of languages was always modified by his love of horses. As a wonderful pendant to this riding exploit, Borrow tells the tale of the Irish smith who, by a magical word, which thrilled the boy, absolutely maddened the cob, until the wizard soothed it by uttering another word "in a voice singularly modified, but sweet and almost plaintive." With this weird episode ends the tale, as "coloured up and poetized" in "Lavengro," of Borrow's earliest journeyings and adventures; truly in his case adventures were to the adventurous. Having had all the wild experiences just outlined, small wonder that the stran
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