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hown in depicting the latter. The reverse was the fact when the sequel followed. In this the characters and their views became prominent, and the events were of slight importance. "Home as Found" was far poorer than "Homeward Bound" was good. Never was a more unfortunate work written by any author. This is the fact, whether it be looked at from the literary or the popular point of view. For the latter it is enough to say that the opinions about America which have already been given in the account of his European travels were more than reenforced. He said again what he had said before, and he took pains to add a great deal that had been left unsaid. The new matter surpassed in the energy of invective the old, and its attack was more concentrated. There were in the novel, to be sure, the remarks that had now got to be habitual with Cooper upon the provincialism of the whole country; but it was upon New York city that the vials of his wrath were especially poured. The town, according to the view here expressed of it, was nothing more than a huge expansion of commonplace things. It was a confused and tasteless collection of flaring red brick houses, martin-box churches, and colossal (p. 151) taverns. But the assault made upon its external appearance bore no comparison to that upon its internal life. The city in a moral sense resembled, according to Cooper, a huge encampment. It stood at the farthest remove from the intellectual supremacy and high tone of a genuine capital as distinguished from a great trading port. In its gayeties he saw little better than the struggles of an uninstructed taste, if indeed that could properly be styled gay which was only a strife in prodigality and parade. The conversation of the elders was entirely about the currency, the price of lots, and the latest speculations in towns. The younger society was made up of babbling misses, who prattled as waters flow, without consciousness of effort, and of whiskered masters who fancied Broadway the world; and the two together looked upon the flirtations of miniature drawing-rooms as the ideal of human life in its loftiest aspects. Upon the _literati_ the attack was even more savage. He described this appellation as being given to the most incorrigible members of the book clubs of New York. These had been laboriously employed in puffing each other into celebrity for many weary years, but still remained just as vapid, as conceited, as ignorant, as
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