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the conquering pen. And here comes the question, which in some phase or other comes up in all great questions of America, "What part has the Negro in the might of the pen?" Nobody doubts that the great movements of the world at present, let their primary manifestations be military or political, scientific or industrial, have any other great lever than knowledge and sentiment brought into notice and activity by writers. The chief agencies for the dissemination of thought and discoveries are the newspapers, magazines, literary journals and books of fiction. The newspapers have the most immediate and controlling influence over the action of men in the business and political world. To undertake to estimate with anything like exactness the part the Negro has in molding sentiment through the press and giving the consequent direction to the action of men would be a task impossible in the very nature of the case. It shall be, then, the purpose of this article to discuss in a general way the Negro as a writer in all lines in which he has essayed to express thought. It would be easy to dispose of the question in two ways. One would be to separate all that he has done as far as that would be possible, and put it over against the production of the white race and thus so minimize it by comparison that its power would likely to be _underrated_. Another way would be to magnify all that has been done as especially praiseworthy, because the production comes from the Negro, thus overrating its significance, forgetting that whatever power any writing can have can only be in proportion to its real merit in the thought-world, regardless of all source from which it came. Overrating the Negro as a writer is more likely to be done in passing on his attempts in _literary_ art than in any other field. But in literary lines the number who can command attention and be worthy of notice is very small. One does not have to go far to see that the most effective work, so far as creating sentiment is concerned, and thereby _wielding_ power in the great moving forces of this age, the Negro as a writer is best evinced by the Negro press. We have many newspapers, and after thirty years we have not been able to produce one single great newspaper, nor for many good reasons one single great editor who is a power in the land. Indeed, the most of the many papers of ours that come from the press have but little in them that can attract the intelligent minds
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