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pect an epilogue to the story. Whilst these proofs were in the press a second very marked case of a Polter-geist came within my knowledge. I cannot without breach of confidence reveal the details and the phenomena are still going on. Curiously enough, it was because one of the sufferers from the invasion read some remarks of mine upon the Cheriton dugout that this other case came to my knowledge, for the lady wrote to me at once for advice and assistance. The place is remote and I have not yet been able to visit it, but from the full accounts which I have now received it seems to present all the familiar features, with the phenomenon of direct writing superadded. Some specimens of this script have reached me. Two clergymen have endeavoured to mitigate the phenomena, which are occasionally very violent, but so far without result. It may be some consolation to any others who may be suffering from this strange infliction, to know that in the many cases which have been carefully recorded there is none in which any physical harm has been inflicted upon man or beast. End of Project Gutenberg's The New Revelation, by Arthur Conan Doyle *** END OF THIS PROJECT GUTENBERG EBOOK THE NEW REVELATION *** ***** This file should be named 1638.txt or 1638.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/6/3/1638/ Produced by Charles Keller. HTML version by Al Haines. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public do
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