s and periodicals
both in France and in foreign countries.

V.

PORTRAITS.

These are extremely numerous, but previously to 1851, that is, before
Hugo left France, they all represent him as a clean-shaven man. After
his exile Hugo grew a beard, hence the alteration so noticeable in the
portraits subsequent to 1851.

The portrait chosen represents Hugo in his youth, at the time of the
first appearance of _Notre-Dame de Paris_.

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