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big arm-chair and a piano, over which hung a large oil painting of some bygone ballet at the Theatre de l'Opera in Paris, and also an engraving of Taglioni signed affectionately by that great Prima Ballerina Assoluta. Madame Aldavini rang a bell, and presently Miss Carron, her pianist and assistant teacher, came in. Miss Carron was a Frenchwoman, who had lived so long in London that she spoke English better than French, except in moments of great anger, when her native tongue returned to her with an added force of expression from such long periods of quiescence. "What tune do you like, miss?" inquired Madame. "What is her name? Jenny? _Si_, I have no Jenny at present." But the would-be dancer had no tune by name. "Play the what's it called from what's its name," suggested Mr. Vergoe, to help matters along. "_Hein?_" said Miss Carron sharply. "The--you know--the--the--well, anyway, it goes like this," and he hummed the opening bars of the Intermezzo from "Cavalleria." "Ah!" said Miss Carron. "But that's no tune to dance to. You want something to show off the twiddly-bits." "Play the Intermezzo," commanded Madame Aldavini. Miss Carron began, but Jenny could only wriggle in a shamefaced way, and was too shy to start. "You great stupid," said her mother. "One, two, three, off," said Mr. Vergoe. "You are frightened, yes? Timid? Come, I shall not eat you," declared Madame. At last the novice produced a few steps. "Enough," said Madame. "I take her. She will come once a week for the first year, twice a week for the second year, three times a week the third year and every day--how old is she?" "Ten." "Every day when she is thirteen." The further details of Jenny's apprenticeship were settled in the little paneled room, while Jenny listened to wonderful instructions about stockings and shoes and skirts. When it was all over the three visitors walked out of the gray house, where Jenny was to spend so many hours of childhood, into Great Queen Street and an April shower sprinkling the pavement with large preliminary drops. Mr. Vergoe insisted on standing tea at a shop in Holborn for the luck of the adventure. Jenny's first chocolate _eclair_ probably made a more abiding impression on her mind than the first meeting with Madame Aldavini. So Jenny became a dancer and went, under her mother's escort, to Great Queen Street once a week for a year. The pupils of Madame Aldavini all wore pink ta
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