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The Project Gutenberg EBook of The Sylphs of the Season with Other Poems by Washington Allston This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Sylphs of the Season with Other Poems Author: Washington Allston Release Date: February 12, 2004 [EBook #11059] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE SYLPHS *** Produced by Distributed Proofreaders [Transcriber's Note: Footnotes have been numbered and moved to the end.] The Sylphs of the Seasons with Other Poems. By W. Allston. Contents. The Sylphs of the Seasons; a Poet's Dream The Two Pointers; a Tale Eccentricity The Paint King Myrtilla: addressed to a Lady, who lamented that she had never been in love To a Lady who spoke slightingly of Poets Sonnet on a Falling Group in the Last Judgment of Michael Angelo, in the Cappella Sistina Sonnet on the Group of the Three Angels before the Tent of Abraham, by Raffaelle, in the Vatican Sonnet, on seeing the Picture of AEolus, by Peligrino Tibaldi, in the Institute at Bologna Sonnet on Rembrant; occasioned by his Picture of Jacob's Dream Sonnet on the Luxembourg Gallery Sonnet to my venerable Friend, the President of the Royal Academy The Mad Lover at the Grave of his Mistress First Love: a Ballad The Complaint Will, the Maniac: a Ballad The Sylphs of the Seasons; _A Poet's Dream._ Prefatory Note to The Sylphs of the Seasons. As it may be objected to the following Poem, that some of the images there introduced are not wholly peculiar to the Season described, the Author begs leave to state, that, both in their selection and disposition, he was guided by that, which, in his limited experience, was found to be the Season of their greatest impression: and, though he has not always felt the necessity of pointing out the collateral causes by which the effect was increased, he yet flatters himself that, in general, they are sufficiently implied either by what follows or precedes them. Thus, for instance, the _running brook_, though by no means peculiar, is appropriated to Spring; as affording by its motion and _seeming_ exultation one of the most lively images of that spirit of renova
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