rated methods of humour and caricature;
perverse, even wrong-headed at times, but possessed of a true pathos and
largeness of heart, and when all has been said--though the Elizabethan
ran to satire, the Victorian to sentimentality--leaving the world better
for the art that they practised in it.

In 1616, the year of the death of Shakespeare, Jonson collected his
plays, his poetry, and his masques for publication in a collective
edition. This was an unusual thing at the time and had been attempted
by no dramatist before Jonson. This volume published, in a carefully
revised text, all the plays thus far mentioned, excepting "The Case is
Altered," which Jonson did not acknowledge, "Bartholomew Fair," and "The
Devil is an Ass," which was written too late. It included likewise a
book of some hundred and thirty odd 'Epigrams', in which form of brief
and pungent writing Jonson was an acknowledged master; "The Forest," a
smaller collection of lyric and occasional verse and some ten 'Masques'
and 'Entertainments'. In this same year Jonson was made poet laureate
with a pension of one hundred marks a year. This, with his fees and
returns from several noblemen, and the small earnings of his plays
must have formed the bulk of his income. The poet appears to have done
certain literary hack-work for others, as, for example, parts of the
Punic Wars contributed to Raleigh's 'History of the World'. We know
from a story, little to the credit of either, that Jonson accompanied
Raleigh's son abroad in the capacity of a tutor. In 1618 Jonson was
granted the reversion of the office of Master of the Revels, a post
for which he was peculiarly fitted; but he did not live to enjoy its
perquisites. Jonson was honoured with degrees by both universities,
though when and under what circumstances is not known. It has been said
that he narrowly escaped the honour of knighthood, which the satirists
of the day averred King James was wont to lavish with an indiscriminate
hand. Worse men were made knights in his day than worthy Ben Jonson.

From 1616 to the close of the reign of King James, Jonson produced
nothing for the stage. But he "prosecuted" what he calls "his wonted
studies" with such assiduity that he became in reality, as by report,
one of the most learned men of his time. Jonson's theory of authorship
involved a wide acquaintance with books and "an ability," as he put it,
"to convert the substance or riches of another poet to his own use."
Accor