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The Project Gutenberg EBook of The Old English Baron, by Clara Reeve This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Old English Baron Author: Clara Reeve Release Date: February, 2004 [EBook #5182] Posting Date: April 23, 2009 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE OLD ENGLISH BARON *** Produced by Jack Voller THE OLD ENGLISH BARON By Clara Reeve PREFACE As this Story is of a species which, though not new, is out of the common track, it has been thought necessary to point out some circumstances to the reader, which will elucidate the design, and, it is hoped, will induce him to form a favourable, as well as a right judgment of the work before him. This Story is the literary offspring of The Castle of Otranto, written upon the same plan, with a design to unite the most attractive and interesting circumstances of the ancient Romance and modern Novel, at the same time it assumes a character and manner of its own, that differs from both; it is distinguished by the appellation of a Gothic Story, being a picture of Gothic times and manners. Fictitious stories have been the delight of all times and all countries, by oral tradition in barbarous, by writing in more civilized ones; and although some persons of wit and learning have condemned them indiscriminately, I would venture to affirm, that even those who so much affect to despise them under one form, will receive and embrace them under another. Thus, for instance, a man shall admire and almost adore the Epic poems of the Ancients, and yet despise and execrate the ancient Romances, which are only Epics in prose. History represents human nature as it is in real life, alas, too often a melancholy retrospect! Romance displays only the amiable side of the picture; it shews the pleasing features, and throws a veil over the blemishes: Mankind are naturally pleased with what gratifies their vanity; and vanity, like all other passions of the human heart, may be rendered subservient to good and useful purposes. I confess that it may be abused, and become an instrument to corrupt the manners and morals of mankind; so may poetry, so may plays, so may e
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