with such
unmeasured obstinacy. From this time there was no longer the same
concert between Madame de Maintenon and Madame des Ursins that had
formerly existed. But the latter had reached such a point in Spain,
that she thought this was of no consequence.

It has been seen with what art Madame des Ursins had unceasingly isolated
the King of Spain; in what manner she had shut him up with the Queen, and
rendered him inaccessible, not only to his Court but to his grand
officers, his ministers, even his valets, so that he was served by only
three or four attendants, all French, and entirely under her thumb. At
the death of the Queen this solitude continued. Under the pretext that
his grief demanded privacy, she persuaded the King to leave his palace
and to instal himself in a quiet retreat, the Palace of Medina-Celi, near
the Buen-Retiro, at the other end of the city. She preferred this
because it was infinitely smaller than the Royal Palace, and because few
people, in consequence, could approach the King. She herself took the
Queen's place; and in order to have a sort of pretext for being near the
King, in the same solitude, she caused herself to be named governess of
his children. But in order to be always there, and so that nobody should
know when they were together, she had a large wooden corridor made from
the cabinet of the King to the apartment of his children, in which she
lodged. By this means they could pass from one to the other without
being perceived, and without traversing the long suite of rooms, filled
with courtiers, that were between the two apartments. In this manner it
was never known whether the King was alone or with Madame des Ursins;
or which of the two was in the apartments of the other. When they were
together or how long is equally unknown. This corridor, roofed and
glazed, was proceeded with in so much haste, that the work went on, in
spite of the King's devotion, on fete days and Sundays. The whole Court,
which perfectly well knew for what use this corridor was intended, was
much displeased. Those who directed the work were the same. Of this
good proof was given. One day, the Comptroller of the royal buildings,
who had been ordered to keep the men hard at it, Sundays and fete days,
asked the Pere Robinet, the King's confessor, and the only good one he
ever had; he asked, I say, in one of those rooms Madame des Ursins was so
anxious to avoid, and in the presence of various courtiers