proof that
the effect has been much the same.

Unless you are sensible of some strong frame within your work, something
vertebral, it is best to renounce it, and attempt something else in which
you can feel it. If you are secure of the frame you must observe the
quality and character of everything you build about it; you must touch,
you must almost taste, you must certainly test, every material you
employ; every bit of decoration must undergo the same scrutiny as the
structure.

It will be some vague perception of the want of this vigilance in the
young contributor's work which causes the editor to return it to him for
revision, with those suggestions which he will do well to make the most
of; for when the editor once finds a contributor he can trust, he
rejoices in him with a fondness which the contributor will never perhaps
understand.

It will not do to write for the editor alone; the wise editor understands
this, and averts his countenance from the contributor who writes at him;
but if he feels that the contributor conceives the situation, and will
conform to the conditions which his periodical has invented for itself,
and will transgress none of its unwritten laws; if he perceives that he
has put artistic conscience in every general and detail, and though he
has not done the best, has done the best that he can do, he will begin to
liberate him from every trammel except those he must wear himself, and
will be only too glad to leave him free. He understands, if he is at all
fit for his place, that a writer can do well only what he likes to do,
and his wish is to leave him to himself as soon as possible.

V.

In my own case, I noticed that the contributors who could be best left to
themselves were those who were most amenable to suggestion and even
correction, who took the blue pencil with a smile, and bowed gladly to
the rod of the proof-reader. Those who were on the alert for offence,
who resented a marginal note as a slight, and bumptiously demanded that
their work should be printed just as they had written it, were commonly
not much more desired by the reader than by the editor.

Of course the contributor naturally feels that the public is the test of
his excellence, but he must not forget that the editor is the beginning
of the public; and I believe he is a faithfuller and kinder critic than
the writer will ever find again.

Since my time there is a new tradition of editing, which I do not think
so fa