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pe it looks like a framed picture. All the study windows have Venetian blinds; they long ago went out of fashion in America but they have not been replaced with anything half as good yet. The study is built on top of a tumbled rock-heap that has morning-glories climbing about it and a stone stairway leading down through and dividing it. There now--if you have not time to read all this, turn it over to "Jock" and drag in the judge to help. Mrs. Clemens must put in a late picture of Susie--a picture which she maintains is good, but which I think is slander on the child. We revisit the Rutland Street home many a time in fancy, for we hold every individual in it in happy and grateful memory. Goodbye, Your friend, SAML. L. CLEMENS. P. S.--I gave the P.O. Department a blast in the papers about sending misdirected letters of mine back to the writers for reshipment, and got a blast in return, through a New York daily, from the New York postmaster. But I notice that misdirected letters find me, now, without any unnecessary fooling around. The new house in Hartford was now ready to be occupied, and in a letter to Howells, written a little more than a fortnight after the foregoing, we find them located in "part" of it. But what seems more interesting is that paragraph of the letter which speaks of close friendly relations still existing with the Warners, in that it refutes a report current at this time that there was a break between Clemens and Warner over the rights in the Sellers play. There was, in fact, no such rupture. Warner, realizing that he had no hand in the character of Sellers, and no share in the work of dramatization, generously yielded all claim to any part of the returns. ***** To W. D. Howells, in Boston: FARMINGTON AVENUE, HARTFORD, Sept. 20, 1876. MY DEAR HOWELLS,--All right, my boy, send proof sheets here. I amend dialect stuff by talking and talking and talking it till it sounds right--and I had difficulty with this negro talk because a negro sometimes (rarely) says "goin" and sometimes "gwyne," and they make just such discrepancies in other words--and when you come to reproduce them on paper they look as if the variation resulted from the writer's carelessness. But I want to work at the proofs and
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