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The Project Gutenberg EBook of Derrick Vaughan--Novelist, by Edna Lyall This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Derrick Vaughan--Novelist Author: Edna Lyall Posting Date: October 1, 2008 [EBook #1665] Release Date: March, 1999 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK DERRICK VAUGHAN--NOVELIST *** Produced by Les Bowler DERRICK VAUGHAN--NOVELIST By Edna Lyall 'It is only through deep sympathy that a man can become a great artist.'--Lewes's Life of Goethe. 'Sympathy is feeling related to an object, whilst sentiment is the same feeling seeking itself alone.'--Arnold Toynbee. Chapter I. 'Nothing fills a child's mind like a large old mansion; better if un- or partially occupied; peopled with the spirits of deceased members of the county and Justices of the Quorum. Would I were buried in the peopled solitude of one, with my feelings at seven years old!'--From Letters of Charles Lamb. To attempt a formal biography of Derrick Vaughan would be out of the question, even though he and I have been more or less thrown together since we were both in the nursery. But I have an odd sort of wish to note down roughly just a few of my recollections of him, and to show how his fortunes gradually developed, being perhaps stimulated to make the attempt by certain irritating remarks which one overhears now often enough at clubs or in drawing-rooms, or indeed wherever one goes. "Derrick Vaughan," say these authorities of the world of small-talk, with that delightful air of omniscience which invariably characterises them, "why, he simply leapt into fame. He is one of the favourites of fortune. Like Byron, he woke one morning and found himself famous." Now this sounds well enough, but it is a long way from the truth, and I--Sydney Wharncliffe, of the Inner Temple, Barrister-at-law--desire, while the past few years are fresh in my mind, to write a true version of my friend's career. Everyone knows his face. Has it not appeared in 'Noted Men,' and--gradually deteriorating according to the price of the paper and the quality of the engraving--in many another illustrated journal? Yet somehow these work
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