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pon the subject, can't you tell me exactly why your husband dislikes me so?" "For one thing, because you have been up against him in several of his cases, and have always won." "And for the other?" "Well," she said, doubtfully, "he seems to connect you in his mind, somehow, with a boy who was in love with me once--Mr. Spencer Fitzgerald--you know who I mean." Ruff nodded. "He still has that in his mind, has he?" he remarked. "Oh, he's mad!" she declared. "However, don't let us talk about him any more." The lights were being put out. Peter Ruff paid his bill and they rose together. "Come down to the fiat for an hour or so," she begged, taking his arm. "I have a dear little place with another girl--Carrie Pearce. I'll sing to you, if you like. Come down and have one drink, anyhow." Peter Ruff shook his head firmly. "I am sorry," he said, "but you must excuse me. In some ways, I am very old-fashioned," he added. "I never sit up late, and I hate music." "Just drive as far as the door with me, then," she begged. Peter Ruff shook his head. "You must excuse me," he said, handing her into the hansom. "And, Maud," he added--"if I may call you so--take my advice: give it up--go back to your husband and stick to him--you'll be better off in the long run." She would have answered him scornfully, but there was something impressive in the crisp, clear words--in his expression, too, as he looked into her eyes. She threw herself back in a corner of the cab with an affected little laugh, and turned her head away from him. Peter Ruff walked back into the cloak-room for his coat and hat, and sighed softly to himself. It was the end of the one sentimental episode of his life! It had been the study of Peter Ruff's life, so far as possible, to maintain under all circumstances an equable temperament, to refuse to recognize the meaning of the word "nerves," and to be guided in all his actions by that profound common sense which was one of his natural gifts. Yet there were times when, like any other ordinary person, he suffered acutely from presentiments. He left his rooms, for instance, at five o'clock on the afternoon of the day following his supper with Maud, suffering from a sense of depression for which he found it altogether impossible to account. It was true that the letter which he had in his pocket, the appointment which he was on his way to keep, were both of them probable sources of embarrassment
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