luggage had been taken.
Here she sat down on the edge of the bed, looking blankly around,
and presently began to undress. In removing the light towards the
bedstead its rays fell upon the tester of white dimity; something was
hanging beneath it, and she lifted the candle to see what it was.
A bough of mistletoe. Angel had put it there; she knew that in an
instant. This was the explanation of that mysterious parcel which it
had been so difficult to pack and bring; whose contents he would not
explain to her, saying that time would soon show her the purpose
thereof. In his zest and his gaiety he had hung it there. How
foolish and inopportune that mistletoe looked now.

Having nothing more to fear, having scarce anything to hope, for that
he would relent there seemed no promise whatever, she lay down dully.
When sorrow ceases to be speculative, sleep sees her opportunity.
Among so many happier moods which forbid repose this was a mood which
welcomed it, and in a few minutes the lonely Tess forgot existence,
surrounded by the aromatic stillness of the chamber that had once,
possibly, been the bride-chamber of her own ancestry.

Later on that night Clare also retraced his steps to the house.
Entering softly to the sitting-room he obtained a light, and with the
manner of one who had considered his course he spread his rugs upon
the old horse-hair sofa which stood there, and roughly shaped it to
a sleeping-couch. Before lying down he crept shoeless upstairs, and
listened at the door of her apartment. Her measured breathing told
that she was sleeping profoundly.

"Thank God!" murmured Clare; and yet he was conscious of a pang of
bitterness at the thought--approximately true, though not wholly
so--that having shifted the burden of her life to his shoulders, she
was now reposing without care.

He turned away to descend; then, irresolute, faced round to her
door again. In the act he caught sight of one of the d'Urberville
dames, whose portrait was immediately over the entrance to Tess's
bedchamber. In the candlelight the painting was more than
unpleasant. Sinister design lurked in the woman's features, a
concentrated purpose of revenge on the other sex--so it seemed to
him then. The Caroline bodice of the portrait was low--precisely as
Tess's had been when he tucked it in to show the necklace; and again
he experienced the distressing sensation of a resemblance between
them.

The check was sufficient. He resumed hi