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THE FOUR (CONSTITUTIONS. (AGES OF MAN. (SEASONS OF THE YEAR. Together with an Exact Epitomie of the Four Monarchies, (ASSYRIAN. THE (PERSIAN. (GRECIAN. (ROMAN. Also a Dialogue between Old England and New, concerning the late troubles, With divers other pleasant and serious Poems. By a Gentlewoman in those parts. Printed at London for Stephen Bowtell at the Signe of the Bible in Popes Head Alley. 1650." It will be noticed that the gifted poet was forced to have recourse to her native land to produce her works, and it may be for the repute of her modesty, it is to be hoped that it was that she never saw the title page until it had been printed. However, it would seem that there were many of her time who believed that she had some just cause to claim the title which had been given her. One of her admirers wrote in more or less admirable verse a long compliment to her which contained the notable though undeniably plagiarized line: "None but her self must dare commend her parts." Apart from its too close resemblance to "None but himself could be his parallel," it strikes one that Mrs. Bradstreet's admirer pays a poor compliment to the lady's modesty, however he may praise her ability; and another and abler critic, the Rev. Nathaniel Ward, takes occasion in paying his respects to the singer to cast a slur upon her sex: "It half revives my chill frost-bitten blood To see a Woman once do aught that's good;" which could hardly be described as fulsome praise. It must be remembered that in those days it was rare to see a woman attempt anything with the pen, and the prologue to the volume contains some deprecatory reference to this state of affairs: "I am obnoxious to each carping tongue Who says my hand a needle better fits, A Poet's pen all scorn I thus should wrong, For such despite they cast on Female wits; If what I do prove well, it won't advance, They'll say it's stoln, or else it was by chance." This strikes the judicious reader as better sarcasm than poetry; and, indeed, when one looks through the volume it is difficult to understand the enthusiasm roused by the production. It is a very ambitious affair; the Elements, as promised by the title page, have a great deal to say, and mos
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