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Ludwig's hand; and in a few moments his charger was bearing him rapidly along with the troops moving on to the attack, the light and joy of battle on every brow." The friends were much affected by this; for each of them remembered days when the clutch of a hostile destiny was at his throat and all comfort or enjoyment in life seemed to be a thing of the past for ever. And then, after a time, the first rays of the beautiful Star of Hope began to pierce the clouds and rose higher and higher, reviving them, strengthening and invigorating them with newness of life. Then, in the gladsomeness of contest, everything stirred, and came into activity, shouting for joy. At last the grandest and most brilliant of victories rewarded their courage and constancy. "Each of us," said Lothair, "has said, within himself, very much what the Serapiontic Ferdinand said; and well is it for us that the menacing storms which thundered over our heads refreshed us, instead of annihilating us, and braced us like a fine sulphur bath. In fact, it seems to me that it is only now, and here among you, that I begin to feel quite strong and well, and to trace a fresh impulse to begin, now that the storms are over, to bestir myself again in the paths of literature and science. I know that Theodore is doing so right strenuously; he is devoting himself, as of old, to his music, although he is not neglecting literature neither, so that I am expecting him to astonish us, one of these days, with an opera altogether his own, both music and words. All that he has said about the impossibility of the same person writing the words and the music of an opera may be plausible enough, but it doesn't convince me." "I don't agree with you," said Cyprian, "but I don't see much use in continuing the discussion. It seems all the more a waste of time that if the thing were possible, which Theodore says it is not, he would be the first to set about doing it. It would be far better if he would open his piano and, as he has favoured us with so many interesting Stories, let us hear some of his Compositions." "Cyprian," said Theodore, "is always accusing me of sticking too closely to established forms, and rejecting any poetry which cannot be fitted to some of them. This I do not admit, and I mean to prove what I say by producing some music of mine to words which require a setting differing from any of the hackneyed 'forms' in question. I mean the Night Hymn in Mueller
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