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inhold come!" "Did I not say, my dearest friend," said Reinhold, cordially returning the embraces, "that everything would turn out gloriously for you after all? Let me celebrate your wedding day with you. I have come a long distance to do so. And as an everlasting memorial, hang up in your house the picture which I painted for you, and which I have brought with me." He called without, and two servants came in carrying a large painting, in a magnificent gold frame, representing Master Martin in his workshop, with his journeymen, Reinhold, Friedrich, and Conrad, at work on the great cask, with Rosa just come in at the door. Everybody was amazed at the truthfulness and the splendid colouring of this work of art. "Ah," said Friedrich, "_that_ is _your_ cooper's masterpiece. Mine is downstairs. But I shall turn out another." "I know," said Reinhold, "and you are a fortunate man; stick to your own art; very probably it is better suited to domesticity and the like, than mine." At the wedding dinner Friedrich sat between the two Rosas, with Master Martin opposite to him, between Reinhold and Conrad. Paumgartner filled Friedrich's goblet to the brim with noble wine, and drank to the health of Master Martin and his grand journeymen. The goblet went round, and first Baron von Spangenburg, and after him all the worthy masters drained it to the same toast. When Sylvester had finished his reading, the friends were unanimous in their opinion that the tale was worthy of the Serapion Club, and they particularly admired the pleasingness of the general tone which characterised it. "I suppose," said Lothair, "that I am fated always to be the one to pick a hole or two. But I can't help it. To my mind, Master Martin smacks too much of his origin; I mean, of the picture which suggested him. Sylvester, inspired by our great Kolbe's painting, has shown us a splendid collection of other pictures; and, though the colouring of them is delightful, still, they are nothing but pictures; they never could become situations, in living movement, as the narrative of the drama demands that they should do. Conrad, with _his_ Rosa, and Reinhold as well, come in at the end merely that Friedrich's wedding feast may be pleasant and proper, as it ought to be. On the whole--as far as Conrad is concerned--if I did not know your simpleness of heart, Sylvester--if you had not, all through your tale, striven with good success to be always true and str
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