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rds this Captain of theirs. It was something they were rather proud that the rest of the Fleet should see. Moreover, the rest of the Fleet, leaning over the forecastle rails and smoking its evening pipe, did see, and was none the worse for it. A man might have been excused if he betrayed some self-consciousness at finding himself thus suddenly the cynosure of a thousand-odd pair of eyes whose owners were doing their best to show him, after their fashion, that they thought him an uncommonly fine fellow. The atmosphere was electrical with this abrupt, boyish ebullition of feeling. Yet the Captain's face, as he took his seat, was as composed as if he were alone in the middle of his own wide moors. He lit a pipe and nodded to the Commander beside him to signify that as far as he was concerned the show could start as soon as they liked. All happy ships own a sing-song party of some sort or another. It may be that the singers are content to sit pipe in mouth in the lee of a gunshield and croon in harmony as the dusk settles down on a day's work done. Other ships' companies are more ambitious; the canteen provides a property-box, and from a flag-decked stage the chosen performers declaim and clog-dance with all the circumstance of the drama. In days of piping peace, the Operatic and Dramatic Company of this particular ship had known many vicissitudes. Under the guidance of a musically inclined Ship's Steward, it had faced audiences across impromptu footlights as "The Pale Pink Pierrots," and, as such, had achieved a meteoric distinction. But unhappily the Ship's Steward was partial to oysters, and bought a barrelful at an auction sale ashore. On the face of things, it appeared a bargain; but the Ship's Steward neglected to inquire too closely into the antecedents of its contents, and was duly wafted to other spheres of usefulness. The Chaplain, an earnest man but tone-deaf, rallied the leaderless troupe of musicians. During the period of his directorship they were known to fame as "The Musical Coons." Musical in that each one wielded a musical instrument with which he made bold to claim acquaintance, Coons because they blacked their faces with burnt cork and had "corner-men." The corner-men were the weak spots in an otherwise well-planned organisation. A sailor can be trusted with the integrity of a messmate's honour or the resources of the mint, conceivably with the key of a brewery cellar, and justi
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