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ion are too interesting to be readily parted with; I should, for instance, have liked to see how that gentleman convict, _Mr. Trimm_, fared when, after his odd vicissitudes, he was restored to the clutches of the Law and was set on to do his time with the worst of them. There was plenty of criminal company available, for Mr. Cobb makes some speciality of perpetrators of dark deeds, and I feel that all the characters and events of the subsequent stories could, with a little ingenuity, have been worked into the one plot with our fraudulent financier as the centrepiece. That wrong-headed but chivalrous relic of the Southern Confederacy, _Major Putnam Stone_, would fit in as the virtuous or comic relief, his inborn lust for battle and his chance employment as a newspaper reporter being just the things to combat these felonious activities. There is certainly a lack of lovable women in the book, yet I have always been led to suppose that the U.S.A., the _locus in quo_, overflows with feminine charm, and our author is obviously man enough to appreciate and reproduce it for us. However, even a critic must take things as they are, and it is a collection of short stories that I have to complain about. My complaint, then, reduces itself to this, that in the case of each of them I regret their shortness. * * * * * [Illustration: _Jovial Person (to sweep)._ "Hullo, Chawlie me boy. Glad ter see yer lookin' so well."] * * * * * _Mr. Lloyd George (to shade of Pitt)._ "Peace hath her income-tax no less renowned than War." End of the Project Gutenberg EBook of Punch, or the London Charivari, May 13, 1914, by Various *** END OF THIS PROJECT GUTENBERG EBOOK PUNCH *** ***** This file should be named 24318.txt or 24318.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/4/3/1/24318/ Produced by Malcolm Farmer, and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to
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