I made them; and for thee I raised them.
Perhaps, when in the midst of wilderness
And ruins thou first openest thine eyes,
O hapless One, my humble offerings
Will not appear like thy wrath's threats, nor like
The joyful trumpetings of thy reveille,
Nor like an image of thy passion's cross,
Nor like thy sorrow's dirge, nor like glad hymns;
But like soft songs and trembling lights and fondlings
Of lily hands, black birds, and stars unknown.
Thus when, smitten with Charon's knife and sunk
In death's dark swoon, a hapless mother feels
Life's tide return, she hears again, like first
Life-summons, the anxious voice of her fond child,
A voice that comforts her and tenderly
Tells of a thousand tales of love his fancy
Weaves or his memory recalls, and drowns
His faintest sigh not to remind his mother
Of the unerring blow of Charon's knife.
Mother thrice-reverend, O widowed saint,
Upon thy shattered throne I come to place
The crowns of Art dream-made and dream-engraved.
Though they will echo not thy sorrow's groans,
A child of thine has bound them on thine earth
With gold; upon their circles thine own speech
Is shown with master tongue; their light is drawn
From thy sun's gleaming fountain; seek no more!
Only with harmony sublime and pure,
Which, though it rises over time and space,
Turns the world's ears to his native land,
The poet is the greatest patriot._
THE TEMPLE
My knees, bent on thy marble pavement, bleed,
O Temple built apart in wilderness
For an unseen divinity, a goddess
Who from her being's deep abyss reveals
Only a statue wrought by human hand
And even covered with a veil opaque.
Methinks I see among thy sculptured columns,
Among thy secret treasures and thine altars,
Ion, the Delphic priest, who lays aside
The snow-white raiment of the sacrifice
And takes up the wayfarer's knotty staff.
I am no ministrant, nor have I held
The dreadful mystic key, nor have I touched
Boldly or timidly the sacred gate
That leads to Life's deep-hidden mysteries.
One sinner more, O Temple, in the midst
Of sinful multitudes, I come to worship.
My knees, bent on thy marble pavement, bleed;
I feel the chill of night or of the tomb
Creeping upon me slowly, stealthily.
But lo, I struggle to shake off the evil
That creeps on me so cold; with longing heart,
I drag my bleeding knees beyond thy walls,
Out of thy columns--forests stifling me--
Into the sunlight and the moon's soft glimmer.
Away with
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