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n addition to introducing such an institution, would have a field for their labours in raising their clients and customers to the standard of Japanese civilisation in the enjoyment of it. I present the idea gratis to any enterprising people who are troubled with the question. What to do with our girls! But Orientals would have little to teach us in what the Chinese call "make face," which enters into many of the actions of our daily life quite as much as it does into theirs. How thankful we should be that it does not also enter into our religious life! How thoroughly the Chinese must be impressed with this by their recent experiences of our Latest Crusaders! I was listening the other day to a gentleman descanting "on the darkness that enveloped those Pagan barbarians," and I was thinking of another darkness or blindness which prevented the speaker, and many like him, from seeing the least gleam of light in the East. Yet it does not require much hand-shading of our intellectual eyes to see EX ORIENTE LUX. XI NIGHT IN THE CITY OF UNREST "How beautiful is night! A dewy freshness fills the silent air; No mist obscures, nor cloud, nor speck, nor stain Breaks the serene of heaven: In full-orbed glory, yonder moon divine Rolls through the dark-blue depths. Beneath her steady ray The desert-circle spreads Like the round ocean, girdled with the sky. How beautiful is night!" Night really unrobes her beauty only in silence, the silence of the desert. Never can I forget nights spent in Western Australia, far beyond Kalgoorlie, away back in the Never-Never Land, where no rain falls. That is the land of great thirst, where for hundreds of miles one sees no living thing, where no birds sing, not even the mournful call of the jackal echoes across the waste, and not even the chirping ticking of an insect is to be heard to break the utter stillness. Gum trees, whose roots strike down a hundred feet for water, lift up their sparsely-covered branches into the motionless air above, their tongue-like leaves silently saying "I thirst." In that stagnant air they remind one of the giant seaweeds that grow in the depths of the great oceans where the water never moves; and the silence there is the silence of ocean depths, and so has been from the beginning. To-day my horse's tracks made five years ago are probably as fresh as were those which I followed that had been made two years before that time
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