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public place of entertainment; often too he brought his new-made friends to the lonely chamber of Emilius, and would then leave him alone with them, as soon as they began to tire him. At other times he would confound the modest Emilius by extravagantly praising his merits and his acquirements before intelligent and learned men, and by giving them to understand how much they might learn from his friend about languages, or antiquities, or the fine arts, although he himself could never find time for listening to him on such subjects, when the conversation happened to turn on them. But if Emilius ever chanced to be in a more active mood, he might almost make sure of his truant friend having caught cold the night before at a ball or a sledge-party, and being forced to keep his bed; so that, with the liveliest, most restless, and most communicative of men for his companion, Emilius lived in the greatest solitude. To-day he confidently expected him; for Roderick had been forced to give him a solemn promise of spending the evening with him, in order to learn what it was that for weeks had been depressing and agitating his thoughtful friend. Meanwhile Emilius wrote down the following lines: 'Tis sweet when spring its choir assembles, And every nightingale is steeping The trees in his melodious weeping, Till leaf and bloom with rapture trembles. Fair is the net which moonlight weaves; Fair are the breezes' gambolings, As with lime-odours on their wings They chase each other through the leaves. Bright is the glory of the rose, When Love's rich magic decks the earth, From countless roses Love looks forth, Those stars wherewith Love's heaven glows. But sweeter, fairer, brighter far To me that little lamp's pale gleaming, When through the narrow casement streaming, It bids me hail my evening star; As from their braids her locks she flings, Then twines them in a flowery band, While at each motion of her hand The white robe to her fair form clings; Or when she breaks her lute's deep slumbers, And as at morning's touch up-darting, The notes, beneath her fingers starting, Dance o'er the strings in playful numbers. To stop their flight her voice she pours Full after them; they laugh and fly, And to my heart for refuge hie; Her voice pursues them through its doors. Leave
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