public
place of entertainment; often too he brought his new-made friends to the
lonely chamber of Emilius, and would then leave him alone with them, as
soon as they began to tire him. At other times he would confound the
modest Emilius by extravagantly praising his merits and his acquirements
before intelligent and learned men, and by giving them to understand how
much they might learn from his friend about languages, or antiquities,
or the fine arts, although he himself could never find time for
listening to him on such subjects, when the conversation happened to
turn on them. But if Emilius ever chanced to be in a more active mood,
he might almost make sure of his truant friend having caught cold the
night before at a ball or a sledge-party, and being forced to keep his
bed; so that, with the liveliest, most restless, and most communicative
of men for his companion, Emilius lived in the greatest solitude.
To-day he confidently expected him; for Roderick had been forced to give
him a solemn promise of spending the evening with him, in order to learn
what it was that for weeks had been depressing and agitating his
thoughtful friend. Meanwhile Emilius wrote down the following lines:
'Tis sweet when spring its choir assembles,
And every nightingale is steeping
The trees in his melodious weeping,
Till leaf and bloom with rapture trembles.
Fair is the net which moonlight weaves;
Fair are the breezes' gambolings,
As with lime-odours on their wings
They chase each other through the leaves.
Bright is the glory of the rose,
When Love's rich magic decks the earth,
From countless roses Love looks forth,
Those stars wherewith Love's heaven glows.
But sweeter, fairer, brighter far
To me that little lamp's pale gleaming,
When through the narrow casement streaming,
It bids me hail my evening star;
As from their braids her locks she flings,
Then twines them in a flowery band,
While at each motion of her hand
The white robe to her fair form clings;
Or when she breaks her lute's deep slumbers,
And as at morning's touch up-darting,
The notes, beneath her fingers starting,
Dance o'er the strings in playful numbers.
To stop their flight her voice she pours
Full after them; they laugh and fly,
And to my heart for refuge hie;
Her voice pursues them through its doors.
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