ich follow the close of placid
pupilage. He already showed that thought is a disease of flesh, and
indirectly bore evidence that ideal physical beauty is incompatible
with emotional development and a full recognition of the coil of
things. Mental luminousness must be fed with the oil of life, even
though there is already a physical need for it; and the pitiful sight
of two demands on one supply was just showing itself here.
When standing before certain men the philosopher regrets that thinkers
are but perishable tissue, the artist that perishable tissue has to
think. Thus to deplore, each from his point of view, the mutually
destructive interdependence of spirit and flesh would have been
instinctive with these in critically observing Yeobright.
As for his look, it was a natural cheerfulness striving against
depression from without, and not quite succeeding. The look suggested
isolation, but it revealed something more. As is usual with bright
natures, the deity that lies ignominiously chained within an ephemeral
human carcase shone out of him like a ray.
The effect upon Eustacia was palpable. The extraordinary pitch of
excitement that she had reached beforehand would, indeed, have caused
her to be influenced by the most commonplace man. She was troubled at
Yeobright's presence.
The remainder of the play ended: the Saracen's head was cut off, and
Saint George stood as victor. Nobody commented, any more than they
would have commented on the fact of mushrooms coming in autumn or
snowdrops in spring. They took the piece as phlegmatically as did the
actors themselves. It was a phase of cheerfulness which was, as a
matter of course, to be passed through every Christmas; and there was
no more to be said.
They sang the plaintive chant which follows the play, during which all
the dead men rise to their feet in a silent and awful manner, like
the ghosts of Napoleon's soldiers in the Midnight Review. Afterwards
the door opened, and Fairway appeared on the threshold, accompanied
by Christian and another. They had been waiting outside for the
conclusion of the play, as the players had waited for the conclusion
of the dance.
"Come in, come in," said Mrs. Yeobright; and Clym went forward to
welcome them. "How is it you are so late? Grandfer Cantle has been
here ever so long, and we thought you'd have come with him, as you
live so near one another."
"Well, I should have come earlier," Mr. Fairway said, and paused to
loo
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