after, who recalls to mind the keeper
of a porter house, "who whilom wore a long coat, in the pockets whereof
he jingled two bushels of sixpenny pieces, and whose daughter played the
piano to the accompaniment of broiled oysters." There was some
affectation of roystering in all this; but it was a time of social
good-fellowship, and easy freedom of manners in both sexes. At the
dinners there was much sentimental and bacchanalian singing; it was
scarcely good manners not to get a little tipsy; and to be laid under
the table by the compulsory bumper was not to the discredit of a guest.
Irving used to like to repeat an anecdote of one of his early friends,
Henry Ogden, who had been at one of these festive meetings. He told
Irving the next day that in going home he had fallen through a grating
which had been carelessly left open, into a vault beneath. The solitude,
he said, was rather dismal at first, but several other of the guests
fell in, in the course of the evening, and they had on the whole a
pleasant night of it.

These young gentlemen liked to be thought "sad dogs." That they were
less abandoned than they pretended to be the sequel of their lives
shows: among Irving's associates at this time who attained honorable
consideration were John and Gouverneur Kemble, Henry Brevoort, Henry
Ogden, James K. Paulding, and Peter Irving. The saving influence for all
of them was the refined households they frequented and the association
of women who were high-spirited without prudery, and who united purity
and simplicity with wit, vivacity, and charm of manner. There is some
pleasant correspondence between Irving and Miss Mary Fairlie, a belle of
the time, who married the tragedian, Thomas A. Cooper; the "fascinating
Fairlie," as Irving calls her, and the Sophie Sparkle of the
"Salmagundi." Irving's susceptibility to the charms and graces of
women--a susceptibility which continued always fresh--was tempered and
ennobled by the most chivalrous admiration for the sex as a whole. He
placed them on an almost romantic pinnacle, and his actions always
conformed to his romantic ideal, although in his writings he sometimes
adopts the conventional satire which was more common fifty years ago
than now. In a letter to Miss Fairlie, written from Richmond, where he
was attending the trial of Aaron Burr, he expresses his exalted opinion
of the sex. It was said in accounting for the open sympathy of the
ladies with the prisoner that Burr had alw