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The Project Gutenberg eBook, Old Scores and New Readings, by John F. Runciman This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Old Scores and New Readings Author: John F. Runciman Release Date: March 15, 2005 [eBook #15369] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK OLD SCORES AND NEW READINGS*** E-text prepared by Steven Gibbs and the Project Gutenberg Online Distributed Proofreading Team OLD SCORES AND NEW READINGS ... Discussions on Music & Certain Musicians by JOHN F. RUNCIMAN London at the Sign of the Unicorn VII Cecil Court MDCCCCI CONTENTS WILLIAM BYRDE, HIS MASS OUR LAST GREAT MUSICIAN (HENRY PURCELL, 1658-95) BACH; THE "MATTHEW" PASSION AND THE "JOHN" HANDEL HAYDN AND HIS "CREATION" MOZART, HIS "DON GIOVANNI" AND THE REQUIEM "FIDELIO" SCHUBERT WEBER AND WAGNER ITALIAN OPERA, DEAD AND DYING VERDI YOUNG, AND VERDI YOUNGER "THE FLYING DUTCHMAN" "LOHENGRIN" "TRISTAN AND ISOLDA" "SIEGFRIED" "THE DUSK OF THE GODS" "PARSIFAL" BAYREUTH IN 1897 A NOTE ON BRAHMS ANTON DVORAK TSCHAIKOWSKY AND HIS "PATHETIC" SYMPHONY LAMOUREUX AND HIS ORCHESTRA WILLIAM BYRDE ... HIS MASS Many years ago, in the essay which is set second in this collection, I wrote (speaking of the early English composers) that "at length the first great wave of music culminated in the works of Tallis and Byrde ... Byrde is infinitely greater than Tallis, and seems worthy indeed to stand beside Palestrina." Generally one modifies one's opinions as one grows older; very often it is necessary to reverse them. This one on Byrde I adhere to: indeed I am nearly proud of having uttered it so long ago. I had then never heard the Mass in D minor. But in the latter part of 1899 Mr. R.R. Terry, the organist of Downside Abbey, and one of Byrde's latest editors, invited me to the opening of St. Benedict's Church, Ealing, where the Mass in D minor was given; and there I heard one of the most splendid pieces of music in the world adequately rendered under very difficult conditions. I use the phrase advisedly--"one of the most splendid pieces of music in the world." When
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