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ary character of "Pharos," or to do more than allude to the series of strange adventures wherein he plays a leading part. It is enough to assure Mr. Boothby's readers of delightful thrills and an interest which this vivid romancer never permits to flag. THE LUST OF HATE. Mr. Boothby is at his best in this romance, which is characterized by unflagging interest and by most stirring adventures in which Dr. Nikola plays a leading part. "Dr. Nikola" was considered "one of the most thrilling stories ever published." THE BEAUTIFUL WHITE DEVIL. "Here we have, in modern form, the same old hairbreadth escapes, the same extraordinary adventures following one another at breathless speed, and the same splendid disregard for mere probability that marked the efforts of these wizards of an earlier day."--_New York Sun._ DR. NIKOLA. "Crowded to the covers with the mysterious, the startling, and the supernatural."--NEW YORK MAIL AND EXPRESS. "A novel containing a more ingenious, exciting, and absorbing romance has not appeared upon our book table this season."--_Boston Courier._ A BID FOR FORTUNE. "Mr. Boothby never allows the interest of their doings to drop from first page to last; and he tells his tale in a pleasant, brisk fashion that carries the reader along, and is as convincing a vehicle as could be chosen for the relation of strange adventures such as befell the hero and his friends."--_London Times._ THE MARRIAGE OF ESTHER. "Abounds in dramatic situations, and is bright in dialogue, graphic in description, and subtle in character analysis."--_Boston Advertiser._ End of Project Gutenberg's Pharos, The Egyptian, by Guy Newell Boothby *** END OF THIS PROJECT GUTENBERG EBOOK PHAROS, THE EGYPTIAN *** ***** This file should be named 33610.txt or 33610.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/3/6/1/33610/ Produced by Suzanne Shell, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission
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