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-bordered terrace; and here the village ends. Not so my sketch: for I have purposely left it to the last to make mention of the great central idea round which all the rest is gathered, and which, doubtless, formed the germ of the whole oddly-conceived, but most admirably-executed plan. This is the "Cat's Monument" of which Nannette had made mention, and which is a structure so original and imposing that it deserves special and minute description. About midway the terrace, and conspicuous from its size and height, rises a mound of earth shaped into the semblance of an urn or vase, crusted thickly with bits of rock, moss, and pebbles, and overgrown with a tangle of tiny vines. Surmounting this picturesque pedestal is an obelisk of black-veined marble on a granite base, the whole rising some seven feet from the ground. On the polished surface of this memorial pillar is inscribed, in large black capitals, the following classic and touching tribute to the venerable departed who sleeps in peace below: IN MEMORIAM TOMMY FELINI GENERIS OPTIMUS. DECESSIT A VITA MENSE NOVEMBRIS ANNO AETATIS 19. * * * * * _Quid me ploras? Nonne decessi gravis senectute? Nonne vivo amicorum ardentium memoria?_ * * * * * On the reverse side of the column appears an inscription even more pathetic and poetic, to yet another departed favorite, who seems, not like Tommy to have been gathered to his fathers ripe in years and honors but to have been cut down in the bloom of youth by some untimely and tragic fate. He is all the more felin'ly lamented: HIC JACET PUSSY SUI GENERIS PULCHERRIMUS. OCCISUS EST MENSE APRILIS AETAT. 9. * * * * * "_Vixi, et quum dederat cursum fortuna, peregi. Felix! heu nimium felix! si litora ista nunquam tetigissem!_" * * * * * Thanks to certain by no means homoeopathic doses of the Latin grammar in my early years, I was able to gather the meaning of these elegiac effusions, and when the last stanza embodying poor Pussy's posthumous wail was discovered to be none other than the despairing death-cry of the "infelix Dido" as immortalized by Virgil--the one step from the sublime to the ridiculous seemed to have been passed. I looked at Nannette, and Nannette looked at me, and we burst into silent but irrepres
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