The Project Gutenberg EBook of The Deserter, by Richard Harding Davis
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net
Title: The Deserter
Author: Richard Harding Davis
Release Date: February 17, 2005 [EBook #15089]
Language: English
Character set encoding: ASCII
*** START OF THIS PROJECT GUTENBERG EBOOK THE DESERTER ***
Produced by Audrey Longhurst, Stephanie Tarnacki and the PG Online
Distributed Proofreading Team.
THE DESERTER
BY
RICHARD HARDING DAVIS
WITH AN INTRODUCTION
BY
JOHN T. MCCUTCHEON
NEW YORK CHARLES SCRIBNER'S SONS 1918
INTRODUCTION
When Mr. Davis wrote the story of "The Deserter," he could not
possibly have foreseen that it was to be his last story--the last
of those short stories which gave him such eminence as a
short-story writer.
He apparently was as rugged and as vigorous as ever.
And yet, had he sat down to write a story which he knew was to be
his last, I do not think he could have written one more fittingly
designed to be the capstone of his literary monument. The theme is
one in which he has unconsciously mirrored his own ideals of
honorable obligation, as well as one which presents a wholesome
lesson to young soldiers who have taken an oath to do faithful
service to a nation.
It is a story with a moral so subtly expressed that every soldier
or sailor who reads it will think seriously of it if the
temptation to such disloyalty should enter his mind. This story of
the young man who tried to desert at Salonika may well have a
heartening influence upon all men in uniforms who waver in the
path of duty--especially in these days of vast military operations
when a whole world is in arms. It belongs in patriotic literature
by the side of Edward Everett Hale's "The Man Without a Country."
The motif is the same--that of obligation and service and loyalty
to a pledge.
In "The Deserter" Mr. Davis does not reveal the young soldier's
name, for obvious reasons, and the name of the hotel and ship in
Salonika are likewise disguised. It is part of the art of the
skilful story-writer to dress his narrative in such a way as to
eliminate those matter-of-fact details which would be emphasized
by one writing the story as a matter of news. Fo
|