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He called, but his tired voice would not carry. Clasping his crucifix to his breast, he tottered forth in search of his beloved young colleague. He passed the rancheria of the Indians, and found them all asleep, worn out from a night of terror. He was too kind to awaken them, and pursued his way alone down the valley, peering fearfully to right and left. The ground was ploughed, dented, and strewn with fallen trees; the river roared like a tidal wave. Shuddering, and crossing himself repeatedly, he passed between the hills and entered a forest, following a path which the storm had blasted. After a time he came to an open glade where he and Paulo had loved to pray whilst the spring and the birds made music. To his surprise he saw a large stone lying along the open. He wondered if some meteor had fallen. Mortal hands--Indian hands, at least--were not strong enough to have brought so heavy a bulk, and he had not seen it in forest or valley before. He approached and regarded it; then began mumbling aves and paters, running them together as he had not done during the visitation and storm. The stone was outlined with the shape of a man, long, young, and slender. The face was sharply cut, refined, impassioned, and intellectual. A smile of cynical contentment dwelt on the strong mouth. The eyes were fixed on something before him. Involuntarily the priest's followed them, and lingered. A tree also broke the open--one which never had been there before--and it bore an intoxicating similitude to the features and form of a surpassingly beautiful woman. "Paulo! Paulo!" murmured the old man, with tears in his eyes, "would that I had been thou!" End of Project Gutenberg's The Splendid Idle Forties, by Gertrude Atherton *** END OF THIS PROJECT GUTENBERG EBOOK THE SPLENDID IDLE FORTIES *** ***** This file should be named 12697.txt or 12697.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/2/6/9/12697/ Produced by PG Distributed Proofreaders Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, app
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